Channeling pain into beauty, Ken Yates’ fourth album is a breathtaking triumph of the human spirit. The cool-hued Cerulean captures the artist’s intimate reckoning as he grieved his dying mother, giving listeners a vivid window into the rollercoaster of intense thoughts and emotions that accompany such a personal, yet universal experience. The result is a transcendent record that surges with tightly held energy and intimate moments. The listener hears the artist growing in real time, moving towards a space of acceptance and peace as he himself moved to the country, began therapy, and wrote the songs he needed to hear.
Cerulean may be born from grief, but it is not musically grieving: its surefooted and softly radiant arrangements shine with the quiet hope of a soul put through the wringer. “This is the first time that I’ve made a record where I feel like the songs were going to be written whether I wanted to release an album or not,” Yates explains. “I was writing because I needed to. I never would have described songwriting as a cathartic process in the past; it was just something I liked to do.”
With three albums under his belt, the Ontario born songwriter spent the past decade establishing himself as a talented folk artist with a penchant for thoughtful lyrics and evocative melodies. He won two Canadian Folk Music Awards in 2017, and supported Passenger on both the European and North American legs of his recent tour.
Artists
Ken Yates
Channeling pain into beauty, Ken Yates’ fourth album is a breathtaking triumph of the human spirit. The cool-hued Cerulean captures the artist’s intimate reckoning as he grieved his dying mother, giving listeners a vivid window into the rollercoaster of intense thoughts and emotions that accompany such a personal, yet universal experience. The result is a transcendent record that surges with tightly held energy and intimate moments. The listener hears the artist growing in real time, moving towards a space of acceptance and peace as he himself moved to the country, began therapy, and wrote the songs he needed to hear.
Cerulean may be born from grief, but it is not musically grieving: its surefooted and softly radiant arrangements shine with the quiet hope of a soul put through the wringer. “This is the first time that I’ve made a record where I feel like the songs were going to be written whether I wanted to release an album or not,” Yates explains. “I was writing because I needed to. I never would have described songwriting as a cathartic process in the past; it was just something I liked to do.”
With three albums under his belt, the Ontario born songwriter spent the past decade establishing himself as a talented folk artist with a penchant for thoughtful lyrics and evocative melodies. He won two Canadian Folk Music Awards in 2017, and supported Passenger on both the European and North American legs of his recent tour.
Nonetheless, Cerulean feels like a hard reset on Yates’ art and artistry. Reuniting with producer Jim Bryson, the album firmly steps into indie folk and alternative territories – he cites Big Thief, Andy Shauf, and The War On Drugs as a few of his inspirations. Thematically, this is Yates at his most honest and raw. "The record begins with a tone of paranoia facing the daily fear of what the world is becoming," he explains. “As the album progresses, the songs begin to look more and more inward. Moving through the anxiety and bitterness I was feeling. Still, there’s a lot of positivity in it. Maybe I was trying to take a step back to remind myself of all the good things and the full spectrum of color in my life. My wife and I moved out of our apartment in Toronto to the country, got a dog, and found a bigger space where I was able to make a little musical corner for myself. I started seeing a therapist too. That, along with working on this record, helped pull me out of the foggy bitterness I was in.”
“Reflecting back now, I can almost hear myself processing what I was going through in real time, to the point where even the track listing was obvious– an accurate timeline of the feelings and emotions I was dealing with”.
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Karissa Bone
Due to her knack for emotional lyricism and talent as a guitarist, pianist, and producer, she's also a popular collaborator in LA and has been recruited to work with some of her favorites voices in pop today (Suki Waterhouse, Ben Kessler, Keir Gibson, Tom Siletto, etc.). You may have also seen her performing in Charlie Burg's Blue Wave Band or debuting her work at 54 Below in NYC for the Write Out Loud Competition.