On a small corner lot in southeast Portland, Oregon, Jeffrey Martin holed up through the winter recording his quietly potent new album Thank God We Left The Garden. Long nights bled into mornings in the tiny shack he built in the backyard, eight feet by ten feet. What began as demos meant for a later visit to a proper studio became the album itself, spare and intimate and true. Recorded live and alone around two microphones, Jeffrey often held his breath to wait for the low diesel hum of a truck to pass one block over on the busy thoroughfare. During the coldest nights, he timed recording between the clicks of the oil coil heater cycling on and off.

Martin's fourth full length album, Thank God We Left The Garden comes out on Portland's beloved Fluff and Gravy Records. He produced and engineered it himself, recalling, "There was a magic quality to the sounds I was getting in the shack with these two cheap microphones, some lucky recipe of time and place that allowed my voice and the way I play guitar and the shape of these new songs to come together with the kind of honesty I was craving."

So much has happened in the world since the release of his previous album One Go Around (heralded by No Depression as 'the poetry of America'), and Jeffrey has filled the time doggedly, but happily, touring the US and Europe, watching it all unfold in a stream of small town conversations and city sprawl. In a moment where depth is so often traded for the instantaneous, where tech billionaires are building rockets to escape the planet, where the dead-eyed stare of artificial intelligence is promising to existentially upend our world, and where divisiveness in our culture is breeding delusional levels of certainty, Jeffrey Martin's new record feels like a hopeful and fully human antidote.

Emerging from the bright, wide skies of Canada's west coast, Sam Weber has spent the last decade variously honing his craft as a singer-songwriter, multi-instrumentalist and producer, a road that crests a scenic new mountain with the arrival of his stunning new album, Everything Comes True (Sonic Unyon Records). Expanding on the ambitious canvas of his recent New Agile Freedom EP, Weber has delivered his most compelling release to date, one stacked with remarkable songs filled out by a remarkable range of talents whose gifts complement the artist's own considerable strengths.

A perceptive and compelling singer-songwriter and multi-instrumentalist in the vein of Jackson Browne, The Band, The Wood Brothers and Gillian Welch, Weber has been touring independently and internationally with his band since 2013 — just after he scored a glowing profile in Guitar Player magazine. Years spent refining songs at home in North Saanich, BC, working in studios in Los Angeles, CA and gigging relentlessly across Canada and throughout the Western U.S. have honed Weber’s craft to a fine point.